2006年末に設立された東京のレコード・レーベル。
the nation’s premier label for hushed music – Pitchfork
Flau releases are sonically quite diverse, from acoustic folk to dream pop and complex drum experiments. And though eclectic, never before has a label’s oeuvre come together to so closely sound the way a cherry blossom looks – The FADER
one of the biggest names in the world of really small sounds…the perfect soundtrack to a Sunday evening – Timeout Tokyo
consistently impressive – XLR8R
Flau has associated itself with a signature sound…association with Flau suggests a superior level of pop craftsmanship…What’s remarkable about Fukuzono’s project, which launched at the end of 2006, is that he’s achieved quality control without uniformity – exclaim!
Flau has shown that sometimes silence beats flashiness – METROPOLIS Magazine
flau seem to have a magic touch; everything they put out..has a celestial, positively glowing aura about it that has us longing for more..sonically the label is incredibly diverse, but what its releases share in common are a playful curiosity, an unmatchable quality and a genre-bending commitment to evoking time and space within their sounds – DUMMY
Flau label casts its net across a worldwide community of artists with a particular affection for fragile arrangements and microscopic songwriting…A reliable resource for all the finest, quirkiest exploratory electronic pop music – Boomkat
it combines genuine emotion with a sense of playfulness – Fluid Radio
everyone’s favourite Japanese label and, of course, we make no exception – Going Solo
constantly surprising, consistently stunning – Dummy
un monde de l’infiniment fragile et doux – Ondefixe
one of our favourite labels – Textura
Flau are one of those unassuming labels, which since 2007 have been quietly making their way in the world releasing a diverse range of high quality albums…their roster of international artists blend field recordings, acoustic instruments, microsounds, and voice, in a sound that has become truly synonymous with the label – Furthernoise
worth finding – Foxy Digitalis
grow, pushing boundaries and releasing gems – Drifting, Almost Falling
An inner experience and pure fascination to little things concept and microscopic sounds. FLAU is the latest Label Of The Moment – Otsechka
the Tokyo label’s dreamy and cinematic aesthetic seems tailor-made for two favourite hobbies: idleness and letting the imagination run wild – Solar Flares
This label collects very particular artists from all over the world all under one roof that eclectically holds them together. Each artist is so unique, that you would like to read a whole book about them – PonyDanceClyde
2008-09 London, Cafe OTO
2009-09 Melbourne, Toff In Town
2010-08 Berlin, Altes Finanzamt
2012-05 Malaysia, Black Box Map
2012-05 Macau, LMA
2012-05 China Tour Beijing-Shanghai-Hangzhou
2012-06 Tokyo, Fujimigaoka Church & VACANT
2012-06 Kyoto, Metro
2013-04 London, Cafe OTO
2013-04 Berlin, Antje Øklesund
2013-12 Tokyo, VACANT
2016-03 Tokyo, VACANT
7/13(土)東京・Rittor Base w/八木皓平
8/3(土)岐阜・Slow Room w/ CazU-23
8/18(日)東京・Half Moon Hall w/ Wataru Sato, Haruhisa Tanaka, Chihei Hatakeyama
8/28(水)名古屋・K.D Japon w/ marucoporoporo, CazU-23
SEE FULL LIST
©FLAU
CAT No. FLAU31
Release Date: Japan - November 14th 2012 / Europe & USA - January 21st 2013
Format: CD/LP/Digital
険しい木々の間を飛び跳ねる鹿の兄弟、
ウォーターフォールと呼ばれる鳥や湖に佇む白鳥。
吹雪の精のささやきを聞く騎士、
我が子を腕に抱える母親、
ゆっくりと流れる雲、そして川。
山深い森の中で、それぞれの生命が持つ8篇の小さな物語。
『Stories』は、Jan Jelinekとのコラボレーションや、el fog名義での活動でも知られるベルリン在住の日本人アーティストMasayoshi Fujitaによる初のヴィブラフォン・ソロ作品です。物語の挿絵のように、聴く者の脳裏にその情景をシネマチックに映し出す本作。クラシックやジャズの 影響を独自に昇華したヴィブラフォンの独奏をメインに、ビーズやアルミホイルを用いたプリペアド、ボウイング奏法、弦楽器のアレンジメントを取り入れ、楽 器の持つ響きを最大限に追求した、詩的かつメランコリックな叙情溢れる作品が完成しました。この楽器の名前の由来でもある独特のビブラートが、深遠なハー モニーに揺らぎを持たせ、聴く者をインティメイトに包み込む感動作です。
-about Stories-
昔々ある森の中に、山と湖と川と滝があった。
1. Deers
山深い森に二頭の鹿の兄弟が棲んでいた。大人の鹿のように見えるがまだ若い兄弟は、沢や滝、山の岩、森の険しい木々の間を縦横無尽に飛び跳ね遊んでいる。
2. Snow Storm
馬に乗った騎士が吹雪の中を駆けてゆく。
駆けながら、彼は吹雪の精のささやきをきいた。
3. Cloud
ある曇りの日、丘の上の教会の中で、我が子を腕に抱え何かを訴えるように泣いている母親。ステンドグラスから差し込む淡い光。低い雲はゆっくりと流れる。
4. Story of Forest
森のなかにすむ一本の木。彼は鳥や動物たちと話す。かれは季節から季節へ、また一年そしてまた一年と流れ行く時間のなかで友人たちと会うことを楽しみに過ごしている。
5. Story of Waterfall
滝のそばにすむ一羽の鳥。彼は「Waterfall(滝)」いう名で呼ばれている。彼はいつも一人に見えるが孤独ではない。山や森の上を飛び、ただ滝や周りの自然と共に生きている。
ある日彼は、空高く浮かぶ雲の隙間から光を見、それを追って行った。
6. Swan and Morning Dews
湖にすむ一羽の白鳥。晴れているが霧がかった朝、岸辺で頭をたれた草に朝露がおちるかたわらで、彼女は起きてその羽を広げた。
7. River
山の中の小さな泉から湧き出た小さな川が、山を駆け下りる。
曲がりくねりながら、岩に跳ね、しだいに広く速く駆け下りる。
そして最後に川は湖に流れ込んでいく。
8. Memories
何百年もの時がたち、騎士と妖精はもういない。騎士の壊れた石像だけが、草の中に忘れ去られたように転がっている。もう誰も彼らのことを知るものはいない。ただ風と木が覚えているだけ。
recording: Kassian Troyer
mastering: Nils Frahm
lp cutting: Dubplates & Mastering
So, it is late at night. What left is just a dimmed light at the side of your bed. You open up a book, and then, gradually, and quietly, your thoughts started to move along, with its stories, and your “stories”…..
“Stories” is the first vibraphone solo album by Berlin-based Japanese artist Masayoshi Fujita, who also known as El Fog and a collaboration project with Jan Jelinek. This quietly exquisite album by Fujita, is like a book of illustration, painting 8 delicate pictures of small stories about the nature we are embracing….cloud, forest, river, swan and morning dews….things that we all are so familiar with, but yet so quaint.
Masayoshi Fujita’s style of solo vibraphone is uniquely inspired by classic and jazz music. In this beautiful album, in additional to some gorgeous strings and bowings, he also introduced some ingenious ideas in making unique sounds, like the usage of bead and aluminum foil on his vibraphone, like a prepared instrument. As such, “Stories” is a wonderful result of the beautiful vibration (of which the name Vibraphone came from) of all the delicate sounds produced in this album. They are poetic, they are melancholic, and they are lushly emotional.
Let the dimmed light continues on, and let Fujita tell you these wonderful stories.
01 Deers
02 Snow Storm
03 Cloud
04 Story of Forest
05 Story of Waterfall I. & II.
06 Swan and Morning Dews
07 River08 Memories of the Wind
Fujita’s plangent playing proves to be as sweetly intoxicating as drifting off next to a mountain stream on a summer’s day. A gently uplifting and inviting record, ideal for soothing troubled minds. – Rock A Rolla
Evoking scenes of natural beauty and balancing the inspiring with the not quite maudlin to create a perfect tension, Stories is one of most impressive albums of the year so far. This is highly recommended.(9/10) – Exclaim
a thinking man’s ambience. A muse…It’s got the climactic crescendos of post-rock, the delicacy and detail of electronica and the wondrous wistfulness of indie. There are elements fans of most genres can find solace in..There are luxurious moments of pure emotional pleasure, where melody reigns supreme and the timbre is its queen. (8/10) – The 405
Sweetly serenaded or thoughtfully reflective, the vibraphone chimes and twinkles, seducing the listener…effectively sensuous and articulate – God Is In The TV
Das Vibraphon: nicht nur ein atmosphärischer Begleiter, sondern eine wahre Quelle von Narration, so der Ansatz von Masayoshi Fujita…Hier wird weniger puristisch mit Resonanzen gearbeitet, dafür mit ordentlich knisternden Dub-Drones. – GROOVE
An album which implies the flow of nature, apparently…The implied flow of nature is cyclical on this fascinating, empathic and poetic record – Artrocker
Stories, then, is a spacious, cerebral yet emotional album that fascinatingly makes a lot out of a modest and minimalistic set-up…aesthetic of artists like Nils Frahm, Ólafur Arnalds and Hauschka. – Beard Rock
mas Stories é genuinamente bonito e funciona um pouco como disco de música lounge para melhor apreciar animais a comer erva. É, além disso, uma audição aconselhável para quem quiser adormecer na esperança de ter sonhos eróticos com a Princesa Mononoke. – VICE
Stories is a wonderful result of the beautiful vibration (of which the name Vibraphone came from) of all the delicate sounds produced in this album. They are poetic, they are melancholic, and they are lushly emotional. – Music Muso
familiar, stripped of artifice, and remarkably listenable. – Cokemachineglow
‘Stories’ is a surprising album. It’s tranquil and mellow, the gentle chiming tones resonate in the air to create an atmosphere in which tension dissipates and the listener is transported to a calm, peaceful place without thinking..
– Whisperin and Hollerin
And to the forest’s delight, these stones chimed in crystalline syncopation—themselves the hallow instrument; the creek, its performer – Stadiums and Shrines
‘Stories’ is a hushed, contemplative record in which the capacity of a single instrument and its player to carry the depth of each composition relies more on the specifics of tone than on bombastic dynamics. – Stereoboard
So, as the snow melts and beyond, losing yourself in the wintery vibes of ‘Stories’ is the perfect acknowledgement of all things ambient, natural and just plain peaceful. – Silent Radio
really lovely stuff full of playful vibraphone that even bands like Tortoise would be proud of but with a dreamlike ambience a lot like Susumu Yokota…it’s a fitting soundtrack to the unusual bout of snow we’re having at the moment and if snowflakes made music this is what it would sound like (9/10) – Norman Records
“Stories” is a wonderful result of the beautiful vibration (of which the name Vibraphone came from) of all the delicate sounds produced in this album. They are poetic, they are melancholic, and they are lushly emotional. – THE ORGAN
A superb record, at turns soothing and mildly transcendental – Insendiary Magazine
It’s like acoustic Detroit Techno from Berlin via Japan. It’s genius…The deliberately odd time signature here makes me think for some reason of Debussy’s composition Jimbos’ Lullaby…Stories. It’s a ‘recommended’ from me, and no mistake – Manafonistas
Stories is pattering, mellifluous, achieving an overarching serenity from lots of notes dropped quickly into a small space. Fujita plays with dynamics and decay to amass shimmering stacks of sound, sustaining them bar after bar before knocking them down in a single breath. – Echoes & Dust
Stories is a concise, well-formed offering from a growing musician, on an emerging label.. – Music OMH
an album which creates beautiful music to reflect the world around the composer…they excel at generating the imagery intended and make for a wonderful soothing listen, and one that will definitely appeal to fans of Nils Frahm and Olaf Arnauds. – Soundblab
Les songeries vibrantes d’un magicien du vibraphone…Précis d’épure cristalline aux rêveries séraphiques, ce Stories voit en effet le Japonais mettre la pédale douce sur les beats électroniques et autres manipulations analogiques pour laisser libre cours aux envolées graciles de son vibraphone – IndieRockMag
All these supporting touches frame the basic musical content in a way that makes Stories a truly enveloping experience…when played deftly their unaggressive tones can weave a special kind of fabric with its own uniquely hypnotic pull. To my ears, at least, Stories contains some of the finest examples of this in recent years – Scrolldust
observing the sun working its way across the living room, watching backlit dust on a Tuesday afternoon, so it’s worth it to just lighten up, play along and let the imagination go off and wander – The Liminal
enchant fans partial to Broken Social Scene, Yann Tiersen, Nico Muhly, Damien Rice…an aleatoric mood similar to John Cage in the way he uses odd items to hammer the vibraphone. Definitely worth checking out if one digs instrumental space outs or compositional ambition – Our Vinyl
Inmerso en una forestación esplendorosa, “Stories” resulta cómodo de escuchar, aún a pesar de que el protagonista de sus canciones es el mismo en su vasta extensión. Las piezas se mueven al ritmo del viento, quien sopla las notas que acompañan los relatos sobre la vida en los prados campo adentro, con parsimonia, alcanzando niveles de belleza pura. Las hojas caen y su naturalismo instrumental se disipa por entre medio del terreno silvestre. – Hawái
le dispositif avec son matériau presqu’unique nous laissait craindre un album assez monotone, Stories s’avère beaucoup plus divers et, par voie de conséquence, fort intéressant. – EtherREAL
Giles Peterson plays ‘Deer’ on BBC Radio 6
Max Reinhardt plays ‘Story of Waterfall I & II’ on BBC Radio 3
The Latvian Radio Choir in Riga plays ‘Swan and Morning Dews’
‘Story Of Forest’ premiere by The FADER
‘Swans and Morning Dews (Twigs & Yarn Remix) premiere by DUMMY
Masayoshi Fujita ‘Swan and Morning Dews’ + Twigs & Yarn Remix premiere by The FADER
CAT No. FLAU31
Release Date: Japan - November 14th 2012 / Europe & USA - January 21st 2013
Format: CD/LP/Digital
01 Deers
02 Snow Storm
03 Cloud
04 Story of Forest
05 Story of Waterfall I. & II.
06 Swan and Morning Dews
07 River08 Memories of the Wind
険しい木々の間を飛び跳ねる鹿の兄弟、
ウォーターフォールと呼ばれる鳥や湖に佇む白鳥。
吹雪の精のささやきを聞く騎士、
我が子を腕に抱える母親、
ゆっくりと流れる雲、そして川。
山深い森の中で、それぞれの生命が持つ8篇の小さな物語。
『Stories』は、Jan Jelinekとのコラボレーションや、el fog名義での活動でも知られるベルリン在住の日本人アーティストMasayoshi Fujitaによる初のヴィブラフォン・ソロ作品です。物語の挿絵のように、聴く者の脳裏にその情景をシネマチックに映し出す本作。クラシックやジャズの 影響を独自に昇華したヴィブラフォンの独奏をメインに、ビーズやアルミホイルを用いたプリペアド、ボウイング奏法、弦楽器のアレンジメントを取り入れ、楽 器の持つ響きを最大限に追求した、詩的かつメランコリックな叙情溢れる作品が完成しました。この楽器の名前の由来でもある独特のビブラートが、深遠なハー モニーに揺らぎを持たせ、聴く者をインティメイトに包み込む感動作です。
-about Stories-
昔々ある森の中に、山と湖と川と滝があった。
1. Deers
山深い森に二頭の鹿の兄弟が棲んでいた。大人の鹿のように見えるがまだ若い兄弟は、沢や滝、山の岩、森の険しい木々の間を縦横無尽に飛び跳ね遊んでいる。
2. Snow Storm
馬に乗った騎士が吹雪の中を駆けてゆく。
駆けながら、彼は吹雪の精のささやきをきいた。
3. Cloud
ある曇りの日、丘の上の教会の中で、我が子を腕に抱え何かを訴えるように泣いている母親。ステンドグラスから差し込む淡い光。低い雲はゆっくりと流れる。
4. Story of Forest
森のなかにすむ一本の木。彼は鳥や動物たちと話す。かれは季節から季節へ、また一年そしてまた一年と流れ行く時間のなかで友人たちと会うことを楽しみに過ごしている。
5. Story of Waterfall
滝のそばにすむ一羽の鳥。彼は「Waterfall(滝)」いう名で呼ばれている。彼はいつも一人に見えるが孤独ではない。山や森の上を飛び、ただ滝や周りの自然と共に生きている。
ある日彼は、空高く浮かぶ雲の隙間から光を見、それを追って行った。
6. Swan and Morning Dews
湖にすむ一羽の白鳥。晴れているが霧がかった朝、岸辺で頭をたれた草に朝露がおちるかたわらで、彼女は起きてその羽を広げた。
7. River
山の中の小さな泉から湧き出た小さな川が、山を駆け下りる。
曲がりくねりながら、岩に跳ね、しだいに広く速く駆け下りる。
そして最後に川は湖に流れ込んでいく。
8. Memories
何百年もの時がたち、騎士と妖精はもういない。騎士の壊れた石像だけが、草の中に忘れ去られたように転がっている。もう誰も彼らのことを知るものはいない。ただ風と木が覚えているだけ。
recording: Kassian Troyer
mastering: Nils Frahm
lp cutting: Dubplates & Mastering
So, it is late at night. What left is just a dimmed light at the side of your bed. You open up a book, and then, gradually, and quietly, your thoughts started to move along, with its stories, and your “stories”…..
“Stories” is the first vibraphone solo album by Berlin-based Japanese artist Masayoshi Fujita, who also known as El Fog and a collaboration project with Jan Jelinek. This quietly exquisite album by Fujita, is like a book of illustration, painting 8 delicate pictures of small stories about the nature we are embracing….cloud, forest, river, swan and morning dews….things that we all are so familiar with, but yet so quaint.
Masayoshi Fujita’s style of solo vibraphone is uniquely inspired by classic and jazz music. In this beautiful album, in additional to some gorgeous strings and bowings, he also introduced some ingenious ideas in making unique sounds, like the usage of bead and aluminum foil on his vibraphone, like a prepared instrument. As such, “Stories” is a wonderful result of the beautiful vibration (of which the name Vibraphone came from) of all the delicate sounds produced in this album. They are poetic, they are melancholic, and they are lushly emotional.
Let the dimmed light continues on, and let Fujita tell you these wonderful stories.
Giles Peterson plays ‘Deer’ on BBC Radio 6
Max Reinhardt plays ‘Story of Waterfall I & II’ on BBC Radio 3
The Latvian Radio Choir in Riga plays ‘Swan and Morning Dews’
‘Story Of Forest’ premiere by The FADER
‘Swans and Morning Dews (Twigs & Yarn Remix) premiere by DUMMY
Masayoshi Fujita ‘Swan and Morning Dews’ + Twigs & Yarn Remix premiere by The FADER